Movie Reviews Published by Chicago Tribune - Page 285 of 311

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Review of Save the Last Dance (2001)

By Mark Caro (265) for Chicago Tribune (6,211) on 13 Apr 2001

Sure, you've seen some of these moves before, but Save the Last Dance triumphantly passes the audition…

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Review of No Man's Land (1987)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 09 Apr 2001

In the remarkable, ferociously intelligent new film No Man's Land, Bosnian writer-director Danis Tanovic gives us a movie portrait of the Bosnian…

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Review of The Source (1999)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 25 Mar 2001

Like Workman's other films, it's a time capsule that sings…

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Review of The King and I (1999)

By John Petrakis (110) for Chicago Tribune (6,211) on 22 Mar 2001

It's doubtful that today's children would have any patience for the stagy 1956 version, so the current animated offering, despite its flaws,…

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Review of Angel Heart (1987)

By Johanna Steinmetz (72) for Chicago Tribune (6,211) on 22 Mar 2001

It has the unsettled logic of a nightmare, in which nothing fits and everything seems inevitable and there are a lot of arrows in the air and…

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Review of The Suburbans (1999)

By Gary Dretzka (3) for Chicago Tribune (6,211) on 19 Mar 2001

The storyline isn't coherent, the music stinks, the characters are one-dimensional, the dialogue is insipid and it is neither funny nor romantic…

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Review of The Awful Truth (1937)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 18 Mar 2001

The issues deepen in a subtle, natural way: the film begins as a trifle and ends as something beautiful and affirmative. A classic…

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Review of Honey, I Shrunk the Kids (1989)

By Dave Kehr (1,442) for Chicago Tribune (6,211) on 17 Mar 2001

Honey, I Shrunk the Kids is the happiest surprise of this summer so far, a children's film from Walt Disney Productions that effortlessly renews…

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Review of No Mercy (1986)

By Dave Kehr (1,442) for Chicago Tribune (6,211) on 17 Mar 2001

Technically, No Mercy is a smooth, assured piece of work, with a sense of movement and color far superior to Pearce's previous outings…

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Review of Yi Yi (2000)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 01 Mar 2001

An amazing experience: as if a TV soap opera, packed with the usual catastrophes, were done with unaccustomed depth and real storytelling genius…

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Review of See Spot Run (2001)

By Loren King (177) for Chicago Tribune (6,211) on 01 Mar 2001

George Gallo, who wrote and directed the recent action comedy Doubletake, is one of the writers of See Spot Run, and his signature is all over…

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Review of Far and Away (1992)

By Gene Siskel (446) for Chicago Tribune (6,211) on 15 Feb 2001

Somehow it works, in part because of the way director Howard keeps his crowded frames abustle with activity, in part because of the sheer indomitability…

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Review of Pollock (2000)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 15 Feb 2001

Harris and Harden have real on-screen sympatico, in their nasty battles and good times alike…

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Review of Striking Distance (1993)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 11 Feb 2001

This movie is glum, murky, dour, takes place mostly in the dark, doesn't make much sense and has a surprise climax so ridiculous you may watch…

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Review of Titus (1999)

By John Petrakis (110) for Chicago Tribune (6,211) on 09 Feb 2001

Once you get used to the broad gestures, visual stylings and reach-for-the-sky emotions, you may find yourself luxuriating in this movie's…

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Review of Deep Cover (1992)

By Clifford Terry (21) for Chicago Tribune (6,211) on 23 Jan 2001

Truly, Madly, Deeply should be enchanting, but it isn't. Everyone pushes too hard, especially Mr. Minghella, the writer and director…

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Review of Thirteen Days (2000)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 11 Jan 2001

It's a slick, efficient thriller that keeps driving forward lucidly and relentlessly…

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Review of Spellbound (1945)

By Mark Caro (265) for Chicago Tribune (6,211) on 07 Jan 2001

Boasts all of the drama and suspense of any reality TV show, but it actually stars smart people. And they're kids…

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Review of Malena (2000)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 21 Dec 2000

It renders the story in such grandiose visual terms that style often seems to overpower the tale…

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Review of Cast Away (2000)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 21 Dec 2000

It's mournful and troubling in a way that goes beyond ordinary movie manipulation. It burns clean…

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