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Last updated: 18 Jul 2026 at 13:53 UTC

Movie Reviews Published by Caimán Cuadernos de Cine - Page 4 of 6

61-80 of 109 Reviews

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Review of Rodin (2017)

By Carlos F. Heredero (36) for Caimán Cuadernos de Cine (109) on 24 May 2017

The creative process and the search for inspiration concentrate the best moments of the film. [Full review in Spanish]…

Review of The Killing of a Sacred Deer (2017)

By Àngel Quintana (30) for Caimán Cuadernos de Cine (109) on 24 May 2017

[Lanthimos] He's not a bad director, in his first part the film even restless, but the whole final part is drawn with thick stroke…

Review of The Beguiled (2017)

By Àngel Quintana (30) for Caimán Cuadernos de Cine (109) on 24 May 2017

Sofia Coppola is surprising builds her film with rigor and even with certain asceticism. [Full review in Spanish]…

Review of Happy End (2017)

By Àngel Quintana (30) for Caimán Cuadernos de Cine (109) on 24 May 2017

A film in which the vanity of the director is imposed as a gesture of reprobation and contempt to the viewer's gaze. [Full review in Spanish]…

Review of The Florida Project (2017)

By Juanma Ruiz (19) for Caimán Cuadernos de Cine (109) on 24 May 2017

Baker offers little hope, and the only certainty is that childhood, and innocence, always have an expiration date. [Full review in Spanish]…

Review of Happy End (2017)

By Carlos F. Heredero (36) for Caimán Cuadernos de Cine (109) on 24 May 2017

Another realization where the author's gaze on his characters is steeped in cruelty without the least empathy. [Full review in Spanish]…

Review of The Killing of a Sacred Deer (2017)

By Carlos F. Heredero (36) for Caimán Cuadernos de Cine (109) on 24 May 2017

Lanthimos has become a posseur filmmaker, far and far less interesting than the clever Greek director of its beginnings. [Full review in Spanish]…

Review of The Killing of a Sacred Deer (2017)

By Juanma Ruiz (19) for Caimán Cuadernos de Cine (109) on 24 May 2017

[The Killing of a Sacred Deer] is elevated to the nth degree, to the point where it's difficult not to feel alienated by what the film offers…

Review of Before We Vanish (2017)

By Àngel Quintana (30) for Caimán Cuadernos de Cine (109) on 24 May 2017

Kiyoshi Kurosawa manages the elements of the genre effectively and brilliantly. [Full review in Spanish]…

Review of Wonderstruck (2017)

By Àngel Quintana (30) for Caimán Cuadernos de Cine (109) on 21 May 2017

The end result is a real wonder that is sometimes too wonderful. [Full review in Spanish]…

Review of The King (2021)

By Àngel Quintana (30) for Caimán Cuadernos de Cine (109) on 21 May 2017

An acid and blunt portrait of American myths and their fall in the Trump era. [Full review in Spanish]…

Review of Filmworker (2018)

By Juanma Ruiz (19) for Caimán Cuadernos de Cine (109) on 21 May 2017

Too bad its story is more interesting than the resulting film. [Full review in Spanish]…

Review of Okja (2017)

By Carlos F. Heredero (36) for Caimán Cuadernos de Cine (109) on 21 May 2017

Nevertheless, Okja is another radically original film by Bong Joon-ho, retaining a remarkable charm in much of its development…

Review of Alive in France (2018)

By Juanma Ruiz (19) for Caimán Cuadernos de Cine (109) on 21 May 2017

It seems that the filmmaker has finally become addicted to himself. [Full review in Spanish]…

Review of Wind River (2017)

By Juanma Ruiz (19) for Caimán Cuadernos de Cine (109) on 21 May 2017

Even with its imperfections, it's a solid and promising debut behind the camera. [Full review in Spanish]…

Review of The King (2021)

By Carlos F. Heredero (36) for Caimán Cuadernos de Cine (109) on 21 May 2017

Promise Land is a strictly indispensable documentary. [Full review in Spanish]…

Review of The Square (2017)

By Àngel Quintana (30) for Caimán Cuadernos de Cine (109) on 21 May 2017

The film's approach could be interesting if it weren't because it tries to tackle too many things in more than two and a half hours of footage…

Review of Wonderstruck (2017)

By Carlos F. Heredero (36) for Caimán Cuadernos de Cine (109) on 21 May 2017

The audacity and difficulty of the structure seem almost an incentive in the hands of this great creator of forms and narrative models that…

Review of The King (2018)

By Àngel Quintana (30) for Caimán Cuadernos de Cine (109) on 21 May 2017

An acid and blunt portrait of American myths and their fall in the Trump era. [Full review in Spanish]…

Review of The King (2018)

By Carlos F. Heredero (36) for Caimán Cuadernos de Cine (109) on 21 May 2017

Promise Land is a strictly indispensable documentary. [Full review in Spanish]…

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