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Review of Turning Green (2005)

By Tyler Foster (1) for Boxoffice Magazine (2,896) on 05 Nov 2009

With the help of first-time performer Donal Gallery, this mix of gangster drama and quirky comedy boasts a modest charm that should appeal…

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Review of One Fast Move or I'm Gone: Kerouac's Big Sur (2008)

By Sara Maria Vizcarrondo (199) for Boxoffice Magazine (2,896) on 30 Oct 2009

Tries to match the book's poetics but gets mired in celebrity conjecture about the writer…

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Review of Gentlemen Broncos (2009)

By John P. Mccarthy (315) for Boxoffice Magazine (2,896) on 29 Oct 2009

Its quirkiness preceding and very nearly swallowing it whole, Gentlemen Broncos is less warped than it thinks it is yet still provides enough…

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Review of Saw VI (2009)

By Steve Ramos (98) for Boxoffice Magazine (2,896) on 22 Oct 2009

For Lionsgate, it remains a good time to be in the Saw business…

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Review of Eulogy for a Vampire (2009)

By Steve Ramos (98) for Boxoffice Magazine (2,896) on 22 Oct 2009

For select fans of campy gay comedies, Eulogy for a Vampire turns out to be a yell-at-the-screen experience no different from Plan 9 From Outer…

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Review of Law Abiding Citizen (2009)

By Sara Maria Vizcarrondo (199) for Boxoffice Magazine (2,896) on 15 Oct 2009

The only thing really worth seeing in the film is Butler in his one moment of partial nudity. Otherwise, it's a bit of a slog…

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Review of Food Beware: The French Organic Revolution (2008)

By Steve Ramos (98) for Boxoffice Magazine (2,896) on 15 Oct 2009

[Audiences] will take issue with the film's overwhelming number of talking heads, constant barrage of stats and director Jean-Paul Jaud's inability…

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Review of The Little Traitor (2009)

By Pete Hammond (936) for Boxoffice Magazine (2,896) on 15 Oct 2009

Shooting on locations in Jerusalem, the film feels real and authentic with Roth getting the most out of the local atmosphere but itâ(TM)s…

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Review of New York, I Love You (2008)

By Tim Cogshell (223) for Boxoffice Magazine (2,896) on 15 Oct 2009

Collectively they sum of the parts is not better than any given part, but axioms are a bore, and these parts hold their own just fine -- mostly…

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Review of Araya (1959)

By Sara Maria Vizcarrondo (199) for Boxoffice Magazine (2,896) on 08 Oct 2009

Not just an artifact of a pre-industrialized culture infiltrated by modern equipment, it's an artifact of perspective and form…

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Review of Peter and Vandy (2009)

By Steve Ramos (98) for Boxoffice Magazine (2,896) on 08 Oct 2009

Arguing over take-out food, Weixler makes Peter and Vandy a love story that, while not always lovely to watch, is consistently compelling…

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Review of The Damned United (2009)

By Steve Ramos (98) for Boxoffice Magazine (2,896) on 08 Oct 2009

Fascinating storytelling, beautiful cinematography and the most complex and riveting lead characters imaginable…

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Review of The Yes Men Fix the World (2009)

By Sara Maria Vizcarrondo (199) for Boxoffice Magazine (2,896) on 08 Oct 2009

The only trouble with the film is that the pranks, though connected by the general agenda to expose appalling corporate practices, are too…

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Review of Couples Retreat (2009)

By John P. Mccarthy (315) for Boxoffice Magazine (2,896) on 08 Oct 2009

At least Vince Vaughn, Jon Favreau and their fellow cast and crewmates were able to spend time on a gorgeous tropical island while making this…

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Review of Paranormal Activity (2007)

By Pam Grady (384) for Boxoffice Magazine (2,896) on 08 Oct 2009

Delivers moderate suspense and some scares…

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Review of The Messenger (2009)

By Richard Mowe (91) for Boxoffice Magazine (2,896) on 07 Oct 2009

Although Hollywood has dealt with the war from various perspectives, Moverman's film offers a new angle that brings the horrors home about…

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Review of Toy Story (1995)

By Amy Nicholson (961) for Boxoffice Magazine (2,896) on 04 Oct 2009

I think I speak for all adults and kids when I say I can't wait for playtime…

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Review of Do Knot Disturb (2009)

By Matthew Nestel (36) for Boxoffice Magazine (2,896) on 01 Oct 2009

Instead of casting the picture with two former Miss Universes, the filmmakers would have done well to punch-up a script and attend to the chintzy…

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Review of Afterschool (2009)

By Cole Hornaday (1) for Boxoffice Magazine (2,896) on 01 Oct 2009

Perhaps it is the intent of Afterschool, to create such a distancing effect the viewer is forced to observe, perhaps even critique these young…

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Review of As Seen Through These Eyes (2008)

By Steve Ramos (98) for Boxoffice Magazine (2,896) on 01 Oct 2009

Distinguishes itself from many other Holocaust documentaries and offers a new perspective on this timeless tragedy…

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