Movie Reviews Published by Boxoffice Magazine - Page 16 of 145

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Review of A Separation (2011)

By Wade Major (240) for Boxoffice Magazine (2,896) on 30 Jan 2012

Meticulously thoughtful and economical in its execution, from its camerawork to its editing, Farhadi's carefully wrought narrative and the…

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Review of Watching TV with the Red Chinese (2011)

By Sara Maria Vizcarrondo (199) for Boxoffice Magazine (2,896) on 29 Jan 2012

So Watching TV is less a story loosely bound by cause and effect than a kind of scrapbook of memories, all of which convey the concerns of…

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Review of Kill List (2011)

By Todd Gilchrist (762) for Boxoffice Magazine (2,896) on 29 Jan 2012

Kill List is a major breakthrough for writer/director Ben Wheatley, whose assured and painstaking handling of this difficult material makes…

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Review of Declaration of War (2011)

By Sara Maria Vizcarrondo (199) for Boxoffice Magazine (2,896) on 28 Jan 2012

Instead of venturing into mournful Terms of Endearment territory, the film - and the filmmakers - commit to a relentless determination to live…

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Review of The Queen of Versailles (2012)

By Ray Greene (127) for Boxoffice Magazine (2,896) on 27 Jan 2012

Greenfield's fly on the wall view of obscene wealth punctured like a toy balloon is as current as a blog or a headline…

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Review of Searching for Sugar Man (2012)

By Ray Greene (127) for Boxoffice Magazine (2,896) on 27 Jan 2012

Like Anvil, this is a crowd-pleasing triumph of the spirit, framed around a story so bizarre it sounds like an urban legend…

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Review of Albert Nobbs (2011)

By Sara Maria Vizcarrondo (199) for Boxoffice Magazine (2,896) on 27 Jan 2012

Repression is one thing, but discontent generally breeds self-knowledge and rich interior lives, two things that are eerily absent here…

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Review of One for the Money (2012)

By David Ehrlich (1,229) for Boxoffice Magazine (2,896) on 27 Jan 2012

One for the Money is as static and ugly as romantic-comedies get, the distractingly fragmented coverage of simple dialogue scenes suggesting…

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Review of The Ambassador (2011)

By Ray Greene (127) for Boxoffice Magazine (2,896) on 25 Jan 2012

A movie whose confusing narrative and at times intriguing parts are at war with each other, and never quite gel…

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Review of Underworld: Awakening (2012)

By Nick Schager (2,294) for Boxoffice Magazine (2,896) on 21 Jan 2012

Kate Beckinsale can still fill out a skin-tight leather bodysuit, but with Awakening, the vampires-vs-werewolves Underworld franchise has finally…

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Review of Lottery Ticket (2010)

By Pete Hammond (936) for Boxoffice Magazine (2,896) on 20 Jan 2012

In some ways the film is reminiscent of It's A Mad Mad Mad Mad World with the theme of greed and a gaggle of people all after a piece of the…

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Review of Red Tails (2012)

By Sara Maria Vizcarrondo (199) for Boxoffice Magazine (2,896) on 20 Jan 2012

Such a story is made to be colored in jumbo crayon, and at first you might long for a more nuanced approach, but this film was produced in…

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Review of Miss Bala (2011)

By Vadim Rizov (155) for Boxoffice Magazine (2,896) on 20 Jan 2012

Gerardo Naranjo's fourth feature Miss Bala is one long slow burn with no final bang…

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Review of The Grey (2012)

By Vadim Rizov (155) for Boxoffice Magazine (2,896) on 19 Jan 2012

This is admirably ambitious, but Carnahan's not nearly good enough a writer or director to pull it off: the results are portentous, muddled…

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Review of Haywire (2011)

By Vadim Rizov (155) for Boxoffice Magazine (2,896) on 14 Jan 2012

Streamlined, beautifully shot and casually thrilling, Haywire's superior action fun should hopefully draw audiences eager for R-rated, no-frills fare…

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Review of Beauty and the Beast (1991)

By Todd Gilchrist (762) for Boxoffice Magazine (2,896) on 12 Jan 2012

Beauty and the Beast looks beautiful and is sure to entertain, but this experience is superfluous at best-it was already a three-dimensional…

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Review of Contraband (2012)

By Pete Hammond (936) for Boxoffice Magazine (2,896) on 12 Jan 2012

This Americanized version of the 2008 Nordic thriller Reykjavik Rotterdam transfers the original's gritty, violent action into an entertaining…

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Review of Joyful Noise (2012)

By Kate Erbland (681) for Boxoffice Magazine (2,896) on 12 Jan 2012

A well-meaning production that consistently fails to deliver on even the most basic of cinematic expectations, all while covering up stunning…

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Review of Footnote (2011)

By David Ehrlich (1,229) for Boxoffice Magazine (2,896) on 11 Jan 2012

Joseph Cedar's Footnote is a wry, wise little film that revels in the cataclysmic import of a life's most ostensibly trivial details…

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Review of This Must Be the Place (2011)

By Pete Hammond (936) for Boxoffice Magazine (2,896) on 09 Jan 2012

With a sure-to-be-talked about performance by Sean Penn and the dueling themes of overcoming depression and revenge against Nazi atrocities,…

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