Movie Reviews Published by Boston Globe - Page 13 of 343

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Review of Fly Away Home (1996)

By Jay Carr (837) for Boston Globe (6,852) on 18 Nov 2021

As a family film, Fly Away Home has something for members of every temperament and age group: adventure, pathos, technical detail about the…

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Review of tick, tick... BOOM! (2021)

By Don Aucoin (10) for Boston Globe (6,852) on 18 Nov 2021

When coupled with the itchy urgency of Garfield’s outstanding performance as Jon, the brio with which Miranda infuses tick, tick … BOOM…

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Review of Julia (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 18 Nov 2021

Julia, a brisk documentary survey of Julia Child’s life, is warmly admiring. This makes sense, as there’s lots to admire…

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Review of Ghostbusters: Afterlife (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 17 Nov 2021

It has its moments, most of them owing to a quite-phenomenal Mckenna Grace,as a 12-year-old techno wiz, and Paul Rudd, as an easygoing science…

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Review of The Power of the Dog (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 17 Nov 2021

Campion’s best-known films (the remarkable The Piano, 1993; The Portrait of a Lady, 1996) are not just set in the past but summon it up with…

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Review of King Richard (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 16 Nov 2021

King Richard is a movie, not a miniseries; and part of what makes Baylin’s screenplay so effective is his knowing what to leave out as well…

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Review of Red Notice (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 11 Nov 2021

The first hour or so is lively, a bit crude, and more fun than it has any right to be…

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Review of Passing (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 11 Nov 2021

This is a double debut for Hall, as director and screenwriter both. She’s long been known as one of our most gifted actors…

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Review of Passing (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 11 Nov 2021

This is a double debut for Hall, as director and screenwriter both. She’s long been known as one of our most gifted actors…

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Review of Belfast (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 10 Nov 2021

Lyrical and episodic, Belfast is often affecting, if far too sentimental…

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Review of The Souvenir: Part II (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 04 Nov 2021

Fortunately, both Souvenir films have two signal virtues: Hogg’s style and their star…

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Review of Spencer (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 03 Nov 2021

About a third or so of Spencer doesn’t work: flashbacks to Diana’s childhood, hallucinations involving Anne Boleyn, a secret visit to her…

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Review of El Planeta (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 03 Nov 2021

It would be wrong to call El Planeta a comedy, or drama, or even that wretched if useful term dramedy…

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Review of The Harder They Fall (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 03 Nov 2021

The movie is mostly grim, largely nasty, and gloatingly violent…

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Review of Finch (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 03 Nov 2021

Finch pretty quickly settles into a buddy picture…

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Review of Eternals (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 03 Nov 2021

The movie emphasizes personal relationships as other Marvel movies haven’t, and it has a vaguely religioso quality…

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Review of Last Night in Soho (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 28 Oct 2021

Notwithstanding its irresistible rhinestone array of mid-’60s popular culture, Last Night in Soho is an exercise in nostalgia only in passing…

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Review of The Electrical Life of Louis Wain (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 21 Oct 2021

From Sherlock Holmes to Doctor Strange, Cumberbatch has excelled at playing oddball heroes. Wain extends that line…

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Review of Dune (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 21 Oct 2021

Everything is leaden, solemn, portentous. When the writing’s not wooden, it’s clumsily demotic…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 20 Oct 2021

It’s easily the most mannered movie Anderson has made, which is really saying something…

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