Movie Reviews Published by Birth.Movies.Death. - Page 9 of 39

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Review of Fags in the Fast Lane (2017)

By Leigh Monson (105) for Birth.Movies.Death. (774) on 30 May 2018

This is little more than a lewd excuse to make displays of queer vulgarity at the expense of anyone who isn't in on the joke. But that's why it works…

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Review of Rush (2013)

By Jacob Knight (117) for Birth.Movies.Death. (774) on 29 May 2018

While inconsistencies may make Rush a better legend, that's precisely what we signed up for: a mythic representation of men, told by some of…

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Review of Fear City (1984)

By Jacob Knight (117) for Birth.Movies.Death. (774) on 28 May 2018

Fear City definitely sees Ferrara streamlining his punk rock style; nevertheless, the usual perverse weirdness the director peddles definitely…

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Review of First Reformed (2018)

By Jacob Knight (117) for Birth.Movies.Death. (774) on 24 May 2018

Paul Schrader updates TAXI DRIVER for a new age, resulting in what could be his defining masterpiece…

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Review of The Return of Swamp Thing (1989)

By Jacob Knight (117) for Birth.Movies.Death. (774) on 23 May 2018

Yes, it's a story as corny and clichéd as they come, but that's part of the picture's charm…

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Review of I Know Who Killed Me (2007)

By Leigh Monson (105) for Birth.Movies.Death. (774) on 23 May 2018

If you haven't seen it and like things that are terrible, what you have here is a gold mine of bad creative decisions that culminate in one…

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Review of Mary Shelley (2017)

By Michael Gingold (56) for Birth.Movies.Death. (774) on 22 May 2018

The issue with Mary Shelley isn't that the story it tells is untrue, but that it doesn't tell enough of it…

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Review of Book Club (2018)

By Leigh Monson (105) for Birth.Movies.Death. (774) on 21 May 2018

Nothing really sticks out as notable except the magnetic personalities of the stars…

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Review of Solo: A Star Wars Story (2018)

By Charles Bramesco (223) for Birth.Movies.Death. (774) on 16 May 2018

The fans will most assuredly be appeased, and if nothing else, Han Solo will go down in Lucasfilm history as the movie that conclusively affirmed…

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Review of The House That Dripped Blood (1971)

By Brian Collins (12) for Birth.Movies.Death. (774) on 16 May 2018

What I liked most about this last segment is how it directly tied into the wraparounds, as opposed to being just another story…

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Review of Star Wars: Episode I - The Phantom Menace (1999)

By Amelia Emberwing (14) for Birth.Movies.Death. (774) on 16 May 2018

Exceptional fight choreography coupled with one of the best songs in Star Wars' history certainly isn't enough to save [it], but next time…

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Review of Bent (2018)

By Jacob Knight (117) for Birth.Movies.Death. (774) on 15 May 2018

Bent is... the Karl Urban Show, a delightful excuse to showcase just how potent the performer is as a leading man…

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Review of Climax (2018)

By Charles Bramesco (223) for Birth.Movies.Death. (774) on 14 May 2018

It comes as no surprise, but Noé gonna Noé, and whether that's a positive or negative is an entirely personal distinction…

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Review of Solo: A Star Wars Story (2018)

By Dave Schilling (15) for Birth.Movies.Death. (774) on 14 May 2018

There are things to like in SOLO, just not nearly enough of them…

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Review of The House That Jack Built (2018)

By Charles Bramesco (223) for Birth.Movies.Death. (774) on 14 May 2018

It's a rare and often unsettling experience to watch someone muscle through the ugly, imperfect work of therapy, and von Trier has splayed…

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Review of Cocaine Godmother (2017)

By Leigh Monson (105) for Birth.Movies.Death. (774) on 14 May 2018

Get a couple of robot friends and board the Satellite of Love, because this is a film you'll need to riff your own MST3K-esque commentary track…

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Review of BlacKkKlansman (2018)

By Charles Bramesco (223) for Birth.Movies.Death. (774) on 14 May 2018

With this fiery work of righteous agitprop, Lee's chosen task is to connect the rose-colored racism of the remote past to the shameless bigotry…

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Review of Deadpool 2 (2018)

By Michael Gingold (56) for Birth.Movies.Death. (774) on 13 May 2018

The sequel recaptures more than enough of the first film's impish spirit to provide a big, raucous, bloody good time…

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Review of Beast (2018)

By Michael Gingold (56) for Birth.Movies.Death. (774) on 10 May 2018

There is indeed beauty to be found on the island, but Pearce's sharply made point is that beastliness can lurk in unexpected places…

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Review of Terminal (2018)

By Jacob Knight (117) for Birth.Movies.Death. (774) on 10 May 2018

Avoid Terminal like you would avoid anything that could possibly kill you, because it's only here to suck up a little bit of your life, before…

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