Movie Reviews Published by Austin Chronicle - Page 29 of 383

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Review of Space Jam: A New Legacy (2021)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 16 Jul 2021

By halftime of this two hour piece of dreck, you’ll wonder why you weren’t more appreciative that the first one only wasted 80 minutes…

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Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 14 Jul 2021

With Roadrunner, Neville is able to give the icon a send-off that’s tear-inducing and loving, a gift to those who will always be inspired by him…

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Review of Undine (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 14 Jul 2021

Undine’s hauntingly aching romance is enchanting, as thick as the feeling of inhaling water into your lungs…

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Review of The Witches of the Orient (2021)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 14 Jul 2021

As he did with his previous doc, 2018’s John McEnroe: In the Realm of Perfection, Faraut finds and obsesses over the rhythm of bodies in…

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Review of Summertime (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 14 Jul 2021

Summertime’s boisterous enthusiasm sometimes finds an endearing spark, but it never erupts like the fireworks that scatter across the L.A…

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Review of Gunpowder Milkshake (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 13 Jul 2021

As much as Gillan, Headey, and the three Librarians (Bassett, Gugino, and Yeoh) of the gunplay apocalypse embrace the visual stylization and…

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Review of Pig (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 12 Jul 2021

At a time when so many people are struggling to find something of value in their lives, when people are fleeing jobs, cities, futures they…

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Review of I Carry You with Me (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 08 Jul 2021

Admirable efforts aside, I Carry You With Me is still an enchanting mix of drama and romance, but also a timely, poetic love letter to Iván’s…

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Review of Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

By Selome Hailu (10) for Austin Chronicle (7,653) on 01 Jul 2021

Throughout the film, Questlove deconstructs the sterility of a typical talking heads documentary…

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Review of Black Widow (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 30 Jun 2021

It may all be a flashback, but Black Widow is truly a bridge with a true direction as the MCU moves into its post-Avengers era…

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Review of The Forever Purge (2021)

By Matthew Monagle (156) for Austin Chronicle (7,653) on 30 Jun 2021

The Forever Purge does have its finger on the pulse of America at a particularly violent moment in time, but for a series defined by glorious…

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Review of The Boss Baby: Family Business (2021)

By Steve Davis (486) for Austin Chronicle (7,653) on 30 Jun 2021

It’s overwhelming, but there are a few nice touches that aren’t completely lost in the bedlam…

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Review of Zola (2021)

By Selome Hailu (10) for Austin Chronicle (7,653) on 30 Jun 2021

Presumably the first ever feature film adapted from a Twitter thread, Zola makes use of the graphics and sound effects of the internet, as…

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Review of Sun Children (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 30 Jun 2021

Maijidi’s latest was Iran’s submission for the most recent Oscars, a film that’s gentle, packed with all the familiar beats you find…

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Review of Fathom (2021)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 24 Jun 2021

Keeping the camera on Fournet and Garland may reduce the screentime of the actual humpbacks, but Xanthopoulos is more interested in the research…

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Review of Werewolves Within (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 24 Jun 2021

A new comedy classic whodunnit in the honored tradition of Clue, Werewolves Within finds the laughs in the jump scare, and brings back the…

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Review of My Heart Can't Beat Unless You Tell It To (2020)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 24 Jun 2021

Cuartas tenderly catches the scenario at the end of the road, leaving only the question of who, if any, will be able to walk away…

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Review of F9 (2021)

By Marc Savlov (2,019) for Austin Chronicle (7,653) on 22 Jun 2021

It's overstuffed with all the actors wasting both the viewers’ and the movie’s running time by actually speaking dialogue when we all know…

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Review of Hitman's Wife's Bodyguard (2021)

By Matthew Monagle (156) for Austin Chronicle (7,653) on 21 Jun 2021

The film struggles to carve out a distinct aesthetic for its violence, alternating between crass comedy and cartoonish violence with no sense…

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Review of Triumph (2021)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 21 Jun 2021

Though good-natured, by the end it feels indistinguishable from an extended after-school special…

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