Movie Reviews Published by Austin Chronicle - Page 18 of 383

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Review of Memory (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 28 Apr 2022

Memory is better than some Neeson action flicks, worse than others, but, predictable as it is to say, you'll have trouble remembering it much…

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Review of Hatching (2022)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 28 Apr 2022

Hatching does its best at cracking the surface, but never quite sinks its claws as deep as it wants to…

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Review of Unplugging (2022)

By Marc Savlov (2,019) for Austin Chronicle (7,653) on 24 Apr 2022

Unfortunately for a film that has so much to say about a topic of great import, Unplugging is hamstrung by its ricocheting tone and undercut…

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Review of 9 Bullets (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 20 Apr 2022

9 Bullets just constantly misfires, and never gets better than the inadvertent comedy of Worthington pulling a gun on a dog as a negotiating tactic…

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Review of The Unbearable Weight of Massive Talent (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 20 Apr 2022

This is Cage trying to find himself in all those messy decisions he’s made, trying to make amends while accepting and celebrating who he is…

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Review of We're All Going to the World's Fair (2022)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 19 Apr 2022

A standard setup for a horror film, but filmmaker Jane Schoenbrun (who, among other projects, was ringleader/executive producer for the equally…

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Review of The Bad Guys (2022)

By Sarah Jane (34) for Austin Chronicle (7,653) on 19 Apr 2022

I’m not sure The Bad Guys is something kids on the younger side will enjoy, as the action and humor seem aimed at a slightly older, 10-and-up…

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Review of Paris, 13th District (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 19 Apr 2022

Paris, 13th District never quite provides a good enough reason to smoosh two of Tomine’s stories together…

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Review of K.G.F: Chapter 2 (2022)

By Josh Hurtado (4) for Austin Chronicle (7,653) on 18 Apr 2022

With a big, domineering performance from Yash front and center, a love of bonkers action and unrelenting brutal violence, stunning camerawork…

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Review of Dual (2022)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 14 Apr 2022

Stearns’ film is less interested in examining the complexities of our duality than it is with displaying our societal follies with an irony…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Melanie Haupt (1) for Austin Chronicle (7,653) on 13 Apr 2022

The lazy writing is what makes this film such a frustrating experience…

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Review of Rookie Season (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 13 Apr 2022

Rookie Season feels like it started off as a standard fluff piece about a sports team with a little bit of money to burn, and it's undoubtedly…

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Review of Father Stu (2022)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 13 Apr 2022

Ross’ script is never able to pull this out of the depths of trite banality, every line and emotional beat clocked from a mile away and cribbed…

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Review of The Northman (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 12 Apr 2022

The Northman lives and breathes like the old epics; not Old Hollywood's cartoonish depictions of warriors with horned helmets, but the ancient…

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Review of Navalny (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 12 Apr 2022

As the focus of the film, Navalny himself is a fascinating and complex figure, but Roher makes him explicable by focusing on his family, his…

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Review of All the Old Knives (2022)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 11 Apr 2022

If tradecraft is what you like best about the espionage genre – the dead drops and dead-of-night tailings – then All the Old Knives will…

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Review of Coast (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 07 Apr 2022

Coast is undeniably empathetic towards the inner lives of kids living in the bland nothingness of California’s Central Coast, but it’s…

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Review of Mothering Sunday (2021)

By Steve Davis (486) for Austin Chronicle (7,653) on 06 Apr 2022

While the movie’s nonlinear construction is its selling point, at least for those moviegoers who prefer a bit of a challenge, an underlying…

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Review of Sonic the Hedgehog 2 (2022)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 06 Apr 2022

It’s all proper nonsense that in some ways lends itself to a more inspired, manic experience than the initial outing but in others is still…

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Review of Ambulance (2022)

By Sarah Jane (34) for Austin Chronicle (7,653) on 06 Apr 2022

Look, I can’t even pretend like Ambulance is great movie…

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