Movie Reviews Published by Austin Chronicle - Page 11 of 383

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Review of Ticket to Paradise (2022)

By Sarah Jane (34) for Austin Chronicle (7,653) on 19 Oct 2022

I guess if a generic, run-of-the-mill rom-com floats your boat, you’d probably enjoy this one. Ticket to Paradise did not, in fact, float my boat…

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Review of Loving Highsmith (2022)

By Steve Davis (486) for Austin Chronicle (7,653) on 13 Oct 2022

While the documentary offers a few delicate glimpses of a self the writer did not openly share during her 74-year lifetime – she lived as…

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Review of Riotsville, USA (2022)

By Sarah Jane (34) for Austin Chronicle (7,653) on 13 Oct 2022

Riotsville, USA is a definitely worth your time and attention…

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Review of Triangle of Sadness (2022)

By Marjorie Baumgarten (1,950) for Austin Chronicle (7,653) on 13 Oct 2022

Instead of skipping lightly over rough seas, Triangle of Sadness bobs to shore like a floating sarcophagus…

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Review of Old Man (2022)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 13 Oct 2022

An uninspired, mechanical tale, derivative of a first draft Twilight Zone episode or the chorus of that one Neil Young song whose name escapes me…

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Review of Accident Man: Hitman's Holiday (2022)

By Sarah Jane (34) for Austin Chronicle (7,653) on 13 Oct 2022

If you want a movie filled with kills, blood, fights galore, and more than a little Scott Adkins, Accident Man: Hitman’s Holiday is for you…

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Review of Stars at Noon (2022)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 13 Oct 2022

The rainswept city streets overflowing with graffiti and half-torn leaflets are poignant tableaux of melancholy, the jazz-infused soundtrack…

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Review of Halloween Ends (2022)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 13 Oct 2022

What we’re left with is a plodding, pompous horror, only memorable for the ways that it completely drops the ball in sidelining its headliner…

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Review of Amsterdam (2022)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 06 Oct 2022

Tilt your head and you can catch the ghost of combustive screen trios past: Design for Living, Band of Outsiders, Butch Cassidy and the Sundance…

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Review of Dos estaciones (2022)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 06 Oct 2022

For years it feels like the upcoming tequila shortage has been whispered about…

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Review of Lyle, Lyle, Crocodile (2022)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 06 Oct 2022

For a film that is sold on the image and idea of a big, singing, dancing crocodile – who is otherwise mute when not belting out his tunes…

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Review of Piggy (2022)

By Jasmine Lane (3) for Austin Chronicle (7,653) on 06 Oct 2022

What unfolds is a deeply honest and perturbing look at petty viciousness, teenage desire, and two very different causes of psychological scarring…

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Review of Terrifier 2 (2022)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 03 Oct 2022

It’s hard not to admire a filmmaking team asking you to endure such a prolonged amount of ruthless, blood-splattering bad taste…

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Review of Smile (2022)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 29 Sep 2022

Indeed, Smile, at its best, is a bit weirder and more left-field than you may expect…

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Review of Smile (2021)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 29 Sep 2022

Indeed, Smile, at its best, is a bit weirder and more left-field than you may expect…

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Review of God's Creatures (2022)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 29 Sep 2022

For all the fierceness of the elements, co-directors Anna Rose Holmer and Saela Davis, who previously collaborated on the well-regarded 2015…

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Review of Smile (2022)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 29 Sep 2022

Indeed, Smile, at its best, is a bit weirder and more left-field than you may expect…

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Review of The Good House (2021)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 29 Sep 2022

It’s a mixed bag for sure, but The Good House ultimately displays enough self-assurance to overshadow its contrivances…

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Review of Vesper (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 29 Sep 2022

Under the muck and mire, Vesper is a reminder that both life and hope can be surprisingly durable, flexible, and morphable…

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Review of Smile (2022)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 29 Sep 2022

Indeed, Smile, at its best, is a bit weirder and more left-field than you may expect…

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