Movie Reviews Published by Austin American-Statesman - Page 5 of 26

81-100 of 501 Reviews

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Review of Spider-Man: Homecoming (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 28 Jun 2017

Holland is incredibly charming, and embodies Spidey's traditional fondness for wisecracks while not seeming smug…

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Review of Wonder Woman (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 30 May 2017

Jenkins and Gadot did their level best to give us, within the confines of an unforgiving superhero universe, the Amazing Amazon that fans deserve…

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Review of Alien: Covenant (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 17 May 2017

It takes Covenant an ungodly amount of time to get to this point…

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Review of Guardians of the Galaxy Vol. 2 (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 03 May 2017

As with many sequels, Guardians of the Galaxy, Vol…

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Review of Colossal (2017)

By Charles Ealy (164) for Austin American-Statesman (501) on 12 Apr 2017

Let's just say that this is one of the most unusual, imaginative tales to come along in quite some time…

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Review of The Fate of the Furious (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 12 Apr 2017

This is less a Fast movie than A Summer Action Picture, and nobody looks like they're having much fun…

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Review of The Discovery (2017)

By Jake Harris (3) for Austin American-Statesman (501) on 05 Apr 2017

Later, when one last final twist is revealed, it feels cheap and unearned after the intentionally muddy and plodding plot…

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Review of Lucky (2017)

By Evan Rodriguez (8) for Austin American-Statesman (501) on 29 Mar 2017

With nods to some of Stanton's earlier roles such as Bud in Repo Man and Asa Hawkes in Wise Blood, Lucky holds a tortoise's pace but is layered…

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Review of Lucky (2017)

By Evan Rodriguez (8) for Austin American-Statesman (501) on 29 Mar 2017

With nods to some of Stanton's earlier roles such as Bud in Repo Man and Asa Hawkes in Wise Blood, Lucky holds a tortoise's pace but is layered…

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Review of Lucky (2017)

By Evan Rodriguez (8) for Austin American-Statesman (501) on 29 Mar 2017

With nods to some of Stanton's earlier roles such as Bud in Repo Man and Asa Hawkes in Wise Blood, Lucky holds a tortoise's pace but is layered…

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Review of The Honor Farm (2017)

By Charles Ealy (164) for Austin American-Statesman (501) on 27 Mar 2017

What a cool idea for a movie: Tell a story that subverts every aspect of the horror genre, not in a satirical way but in a sweet and very mushroom-trippy…

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Review of Song to Song (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 23 Mar 2017

Our heroes spend most of the time wandering around a comically underpopulated Austin, voice-overs letting us know their thoughts, bits of dialogue…

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Review of The Most Hated Woman in America (2017)

By Charles Ealy (164) for Austin American-Statesman (501) on 23 Mar 2017

Melissa Leo delivers a powerhouse performance as the Austin atheist leader Madalyn Murray O'Hair in director Tommy O'Haver's The Most Hated…

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Review of Life (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 23 Mar 2017

There is absolutely nothing original about Life. Zero. Nada…

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Review of T2 Trainspotting (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 23 Mar 2017

Even when it's corny and a wee bit manipulative and you know that is exactly what it's doing, you sort of don't mind…

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Review of The Work (2017)

By Matthew Odam (59) for Austin American-Statesman (501) on 16 Mar 2017

When you watch The Work, you enter the hot, uncomfortable confines where beauty and truth are forged from the raw materials of pain, longing…

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Review of Lemon (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 16 Mar 2017

Bravo and Gelman deliver an unnerving and deeply weird portrait of the artist as a middle-aged jerk…

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Review of Beauty and the Beast (2017)

By Nicole Villalpando (10) for Austin American-Statesman (501) on 16 Mar 2017

From the very start, audiences who come to the live-action Beauty and the Beast with the 1991 version in their heads will be thrown…

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Review of Free Fire (2017)

By Eric Webb (2) for Austin American-Statesman (501) on 14 Mar 2017

It's Copley, odious and charismatic, who steals the show, which is obviously the point of casting Sharlto Copley in your hyper-stylized shoot-em-up…

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Review of Nobody Speak: Trials of the Free Press (2017)

By Matthew Odam (59) for Austin American-Statesman (501) on 14 Mar 2017

The question isn't whether Gawker is worth saving, but simply a protection of first amendment rights…

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