Movie Reviews Published by Austin American-Statesman - Page 3 of 26

41-60 of 501 Reviews

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Review of Lean on Pete (2018)

By Charles Ealy (164) for Austin American-Statesman (501) on 13 Mar 2018

But this movie is all about [Charlie] Plummer's Charley. Go see it, and you'll understand why. The guy has acting chops - in spades…

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Review of Unlovable (2018)

By Matt Shiverdecker (33) for Austin American-Statesman (501) on 13 Mar 2018

Unlovable is a breath of fresh air and hopefully a launching pad for us to see more of DeGuzman's work…

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Review of A Quiet Place (2018)

By Joe Gross (195) for Austin American-Statesman (501) on 13 Mar 2018

John Krasinski, directing only his third feature from a script by Bryan Woods, Scott Beck and Krasinski, delivers a solid genre picture with…

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Review of Social Animals (2018)

By Natalie Mokry (11) for Austin American-Statesman (501) on 13 Mar 2018

20 to 30 years from now, whether Instagram is still popular or not, this film will stand as a great documentation of the problematic role social…

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Review of Ready Player One (2018)

By Joe Gross (195) for Austin American-Statesman (501) on 12 Mar 2018

You want total immersion into a fantasy world? Spielberg is definitely your guy…

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Review of Early Man (2018)

By Kristin Finan (3) for Austin American-Statesman (501) on 15 Feb 2018

While the movie shines at times, its surprisingly stale storyline keeps it from becoming an instant, stop-motion classic…

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Review of Black Panther (2018)

By Joe Gross (195) for Austin American-Statesman (501) on 14 Feb 2018

In Black Panther, Coogler and company have made a superhero picture that's twice as good, twice as smart, twice as fun to look at as any before…

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Review of The Post (2017)

By Charles Ealy (164) for Austin American-Statesman (501) on 11 Jan 2018

The main reason to see The Post isn't political. It's Streep…

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Review of I, Tonya (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 04 Jan 2018

For the most part, Gillespie's vibrant filmmaking matches the sheer insanity of the story, a tale which combines a sport that (by design) tends…

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Review of Downsizing (2017)

By Charles Ealy (164) for Austin American-Statesman (501) on 28 Dec 2017

Payne has a way of making amusing movies, from Election to Nebraska. His new movie has plenty of high-concept promise, but it doesn't gel as a whole…

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Review of Pitch Perfect 3 (2017)

By Nicole Villalpando (10) for Austin American-Statesman (501) on 28 Dec 2017

As the movie wraps - and it really does feel like it's a tidy wrap up and a goodbye to them - you might even realize how much you'll miss them…

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Review of All the Money in the World (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 28 Dec 2017

Go for the thrill of the chase, go for the excellent yet fictional climax, go for the parallels between Harris' war against the Getty empire…

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Review of Molly's Game (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 28 Dec 2017

There is much to enjoy about Molly's Game,…

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Review of Call Me by Your Name (2017)

By Charles Ealy (164) for Austin American-Statesman (501) on 21 Dec 2017

It's probably best to take the movie for what it is: a look at a young, brilliant man who's trying to figure out his future -- and his sexuality…

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Review of Darkest Hour (2017)

By Charles Ealy (164) for Austin American-Statesman (501) on 14 Dec 2017

The script - and Oldman's portrayal of Churchill - make the movie riveting. Yes, folks, words really matter…

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Review of Star Wars: The Last Jedi (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 12 Dec 2017

More than anyone else on screen, Driver seems to know exactly how to pitch his character…

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Review of The Shape of Water (2017)

By Charles Ealy (164) for Austin American-Statesman (501) on 07 Dec 2017

Del Toro is an imaginative storyteller, and this is a great fairy tale -- as well as a subversive inversion of the monster movie…

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Review of The Disaster Artist (2017)

By Joe Gross (195) for Austin American-Statesman (501) on 30 Nov 2017

(James Franco's) team did a terrific job with the re-creation, and The Disaster Artist is a fun look at Hollywood dreams at their woolliest…

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Review of Roman J. Israel, Esq. (2017)

By Charles Ealy (164) for Austin American-Statesman (501) on 22 Nov 2017

Washington delves deeply into his talent to create Roman J. Israel, Esq., a lawyer who has an apparently encyclopedic mind…

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Review of Coco (2017)

By Matt Shiverdecker (33) for Austin American-Statesman (501) on 20 Nov 2017

Bursting with bold colors and packing an emotional punch in the final moments that could make even the most jaded among you shed a tear, Coco…

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