Zombieland: Double Tap (2019) - Critic Reviews - Page 2 of 2

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Review of Zombieland: Double Tap (2019)

By Monica Castillo (380) for TheWrap (3,203) on 16 Oct 2019

Zombieland: Double Tap continues the original’s cheeky tone and irreverent humor, while it also acknowledges that it’s a series a little…

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Review of Zombieland: Double Tap (2019)

By A.o. Scott (2,100) for The New York Times (9,847) on 16 Oct 2019

Zombieland: Double Tap sets the bar low and steps easily over it, which makes it better than a lot of recent big-screen comedies…

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Review of Zombieland: Double Tap (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 16 Oct 2019

Rounding up all the original's stars and throwing several more surviving human characters into the mix, the pic is plenty entertaining for…

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Review of Zombieland: Double Tap (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 16 Oct 2019

As dated as its slow-mo zombie-killing opening credits, at times Zombieland: Double Tap feels like it was made directly after the original…

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Review of Zombieland: Double Tap (2019)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 16 Oct 2019

Everyone on screen is good enough to do this sort of thing in their sleep, which isn’t to say Harrelson, Eisenberg, Stone, Breslin and Deutch…

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Review of Zombieland: Double Tap (2019)

By Joshua Rothkopf (1,058) for Time Out (7,510) on 16 Oct 2019

Heroically, Double Tap’s new actors, rare though they are, save it from being completely brain-dead…

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Review of Zombieland: Double Tap (2019)

By Neil Smith (699) for Total Film (3,532) on 16 Oct 2019

Gore and guffaws go hand in weapon-wielding hand in a belated follow-up that struggles to replicate the original’s winning formula…

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Review of Zombieland: Double Tap (2019)

By Chris Hewitt (1) (113) for Empire (3,446) on 16 Oct 2019

It’s often enjoyable, occasionally very funny, and has an energy and verve sorely lacking from Fleischer’s last few films…

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Review of Zombieland: Double Tap (2019)

By Kate Erbland (681) for IndieWire (3,631) on 16 Oct 2019

Despite the good vibes and amiable callbacks to the previous film, “Zombieland: Double Tap” is only ever amusing when it’s breaking new…

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Review of Zombieland: Double Tap (2019)

By Marjorie Baumgarten (1,950) for Austin Chronicle (7,653) on 16 Oct 2019

As sequels go, Double Tap delivers the goods, but exists in a realm that feels more like a second serving than a new taste treat…

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Review of Zombieland: Double Tap (2019)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 16 Oct 2019

There are some funny bits and a welcome shot of new blood, but there’s not a lot of overwhelming evidence for this movie’s need to exist…

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Review of Zombieland: Double Tap (2019)

By Katie Rife (451) for The A.V. Club (5,644) on 16 Oct 2019

Unfortunately, the decade that passed between the two films was long enough for the approach to grow tiresome…

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Review of Zombieland: Double Tap (2019)

By Peter Debruge (1,557) for Variety (12,700) on 16 Oct 2019

Humor turns every kill into a sick punchline, and while the writers do a fine job of making them funny, like macabre cartoons in which Wile…

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Review of Zombieland: Double Tap (2019)

By Charles Barfield (33) for The Playlist (3,871) on 16 Oct 2019

A repetitive, uninspired, and ultimately braindead sequel…

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Review of Zombieland: Double Tap (2019)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 16 Oct 2019

The sequel is a string of callbacks and remember-this moments that ask an awful lot of something whose charms and cultural impact were modest…

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Review of Zombieland: Double Tap (2019)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 16 Oct 2019

It feels like any new ideas were jettisoned for the same old schtick…

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Review of Zombieland: Double Tap (2019)

By Steven Scaife (53) for Slant Magazine (8,298) on 16 Oct 2019

Behind the self-awareness and the irony is merely a hollow emotional core, a lack of anything to say because saying something would require…

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Review of Zombieland: Double Tap (2019)

By Tim Robey (1,578) for The Telegraph (1,120) on 16 Oct 2019

Though it coasts on some wildly uneven star charisma, there’s nothing particularly objectionable about Double Tap, finally. It’s fine…

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