Review of You Can Count on Me (2000) by Nate Z — 23 Feb 2006

[font=Arial][color=darkred]Kenneth Lonergan has had quite an up and down year. He started the year co-writing the atrocious 'What Planet Are You From?' and writing 'The Adventures of Rocky and Bullwinkle' to ending it with the character ensemble piece that ran away with an armful of awards at Sundance. Lonergan uses subtle moves to create a vivid mosaic of small town America and family relationships with 'You Can Count on Me'.[/color][/font].

[font=Arial][color=darkred]In film, quite often do we see the relationships of sisters or brothers (maybe too often). Rarely, though, do we see a thorough drama hinged upon the relationship of a brother and sister. Both torn by their genders yet always drawn together. You may kid, and get angry, but when danger arises you will always come to the defense of your sibling. It's this seperational friction yet togetherness that creates the brother-sister bond.[/color][/font].

[font=Arial][color=darkred]Laura Linney and Mark Ruffalo are brother and sister who years ago lost their parents to a horrible automobile accident when they were young. Forced with the battle of growing up with grief, each goes their seperate way. Ruffalo is branded the "difficult" rebelious one, yet deep down he knows that his publically deified sister is just as much the rebel. Linney is a single mother dealing with the pressures of raising her son (a Culkin kid) and working in her town's bank branch headed by her new boss (Matthew Broderick). Her brother reappears in her life suddenly and the two learn a little form each other. With her brother she can rely on someone else to watch her child and experiences another flash of the mischief that she had to forfeit from her childhood in order to raise her younger brother. Ruffalo provides he male figure her son is lacking and begins to shed the boy's overprotection and opens him up to the world. One experiences responsibility, one experiences release - but do eaither learn? That is a good question.[/color][/font].

[font=Arial][color=darkred]Lonergan crafts a subtle texture that allows his characters to breathe and grow, but not necesarrily learn. His modest character driven picture may make you think of Made for TV but its a slice of life that's immersable. It's hard to find a film that is subtle, at its own pace, and restrained when it needs to be.[/color][/font].

[font=Arial][color=darkred]Linney is fantastic as the sister that breaks loose and winds up sleeping with her boss with reckless childish rebellion. Her performance is an Oscar nomination lock as her character runs the emotional gambit. Ruffalo is amazing and establishes himself as one to surely look out for. his mannerisms and expressions are wonderful and his demeanor is reminscent of Marlon Brando.[/color][/font].

[font=Arial][color=darkred]'You Can Count On Me' is a wonderfully affecting story about people who are more complicated then simple plot synopsis will allow. Lonergan has crafted something of an anomally in modern cinema: a film that takes its time, doesn't answer any questions, but makes us feel all the more better after seeing it.[/color][/font].

[font=Arial][color=darkred]Nate's Grade: B+ [/color][/font].