Woodshock (2017) - Critic Reviews - Page 2 of 3

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Review of Woodshock (2017)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 27 Sep 2017

Now and then the Mulleavys capture a moment or glimmer of true mystery; more often, and certainly in dramatic terms, Woodshock feels like a…

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Review of Woodshock (2017)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 27 Sep 2017

Woodshock is its own worst enemy…

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Review of Woodshock (2017)

By Peter Hartlaub (620) for San Francisco Chronicle (7,630) on 27 Sep 2017

The filmmakers offer very few clues, just more aqua filters and low-contrast visuals…

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Review of Woodshock (2017)

By Laura Demarco (55) for Cleveland Plain Dealer (828) on 26 Sep 2017

While Woodshock may not completely hold together at the seams, it's a dreamy, gorgeous concoction that is never not a pleasure to look at…

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Review of Woodshock (2017)

By Marc Savlov (2,019) for Austin Chronicle (7,653) on 26 Sep 2017

The first impression is definitely one of all style, and precious little substance…

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Review of Woodshock (2017)

By Ty Burr (2,612) for Boston Globe (6,852) on 26 Sep 2017

A woozy, wheezy impressionistic take on a woman’s nervous breakdown that aspires to the avant-garde but plays like a bad head-trip movie…

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Review of Woodshock (2017)

By Jason Bailey (832) for Flavorwire (598) on 25 Sep 2017

Sure, some of 'Woodshock' is film school nonsense. But how often is anyone even willing to take these risks anymore…

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Review of Woodshock (2017)

By Anthony Lane (1,079) for New Yorker (1,403) on 24 Sep 2017

The movie unfolds in a fog of grief and guilt-a state of affairs instead of a plot, and a serious test of the viewer's patience…

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Review of Woodshock (2017)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 22 Sep 2017

The dream — or the drug-induced hallucination, or whatever this is — can only last for so long…

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Review of Woodshock (2017)

By Stephen Whitty (1,794) for Newark Star-Ledger (1,745) on 21 Sep 2017

Dunst has been a very good actress to a very long time, and she does what she can with the role - except there is no role…

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Review of Woodshock (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 21 Sep 2017

There are a lot of half-complete ideas among the sisters’ jumble of imagery, but trying to tie them together is a fitfully enjoyable, if…

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Review of Woodshock (2017)

By Dave White (762) for TheWrap (3,203) on 21 Sep 2017

The Mulleavys have what it takes to continue in film if they decide to pursue this path, with a firm, confident hold on light, texture, color,…

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Review of Woodshock (2017)

By Dom Sinacola (87) for Paste Magazine (2,906) on 21 Sep 2017

Woodshock is a movie which doesn’t seem to have much interest in being a movie…

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Review of Woodshock (2017)

By Sheri Linden (962) for Los Angeles Times (12,977) on 21 Sep 2017

With its gauzily surreal touches, Woodshock reflects the Mulleavys’ romantic flair for texture and embellishment…

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Review of Woodshock (2017)

By Laura Clifford (2,742) for Reeling Reviews (4,376) on 20 Sep 2017

The Mulleavy sisters have a talent for expressing the sensual and Woodshock never bores, yet it's never wholly satisfying either, its trippy…

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Review of Woodshock (2017)

By David Ehrlich (1,229) for Indiewire (3,631) on 20 Sep 2017

Woodshock offers a whole lot to look at, but not all that much to see…

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Review of Woodshock (2017)

By Katie Rife (451) for The A.V. Club (5,644) on 19 Sep 2017

Viewers who thought nothing much happened in It Comes At Night are advised to steer clear…

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Review of Woodshock (2017)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 19 Sep 2017

Unlike their spring 2018 fashion collection, Kate and Laura Mulleavy’s first foray into moviemaking, “Woodshock,” is depressingly dull…

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Review of Woodshock (2017)

By Henry Stewart (71) for Slant Magazine (8,298) on 19 Sep 2017

It becomes the obnoxious equivalent of trying to have a serious conversation with people who are high out of their minds…

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Review of Woodshock (2017)

By Jessica Kiang (522) for The Playlist (3,871) on 11 Sep 2017

Filmmaking craft is not the issue here, it’s the timidity of the storytelling that sits in sharp contrast to the boldness of some of the…

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