Review of Wood and Water (2022) by Beatrice Loayza for The New York Times — 25 Mar 2022
With a kind of dissociative, jet lag-induced delirium, the film transitions — somehow fluidly — from the lush woodlands and desolate churches of southern Germany to the flickering lights and modernist textures of Hong Kong in the throes of mass demonstrations.
You can read the full review where it was originally posted online.
This review of Wood and Water (2022) was written by Beatrice Loayza and published by The New York Times on 25 Mar 2022.
Wood and Water has generally received positive reviews.
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