Review of Wine Country (2019) by Manohla Dargis for The New York Times — 07 May 2019
The comedy is situational and confessional, the flat one-liners mixed in with more memorable physical comedy. The scripted lines rarely zing, sing or sting (some seem improvised), but when the performers fall down or screw up their faces, you get to watch them fill in their characters with something like real feeling.
You can read the full review where it was originally posted online.
This review of Wine Country (2019) was written by Manohla Dargis and published by The New York Times on 07 May 2019.
Wine Country has generally received mixed reviews.
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