Review of Win It All (2017) by Richard Brody for New Yorker — 02 Apr 2017
With a teeming cast of vibrantly unglamorous Chicago characters who hold Eddie in a tight social web, Swanberg—aided greatly by Johnson’s vigorous performance—makes the gambler’s panic-stricken silence all the more agonizing, balancing the warm veneer of intimate normalcy with the inner chill of secrets and lies.
You can read the full review where it was originally posted online.
This review of Win It All (2017) was written by Richard Brody and published by New Yorker on 02 Apr 2017.
Win It All has generally received positive reviews.
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