Review of Wildlife (2018) by Anna Leszkiewicz for New Statesman — 07 Nov 2018
At times thematically heavy-handed, but nevertheless atmospheric, the film's scaffolding is its three expansive central performances, and sensitive Stephen Shore-inspired cinematography.
You can read the full review where it was originally posted online.
This review of Wildlife (2018) was written by Anna Leszkiewicz and published by New Statesman on 07 Nov 2018.
Wildlife has generally received positive reviews.
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