Review of Whose Streets? (2017) by Anthony Lane for New Yorker — 30 Jul 2017
The movie’s most potent closeup is of a black policewoman, in a line confronting protesters; if you can film her, why not learn what she has to say? Folayan and Davis, however, hold no brief for even-handedness, and, for those who dominate the screen, any sign of temperance, even in a President, is treated with contempt.
You can read the full review where it was originally posted online.
This review of Whose Streets? (2017) was written by Anthony Lane and published by New Yorker on 30 Jul 2017.
Whose Streets? has generally received positive reviews.
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