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Review of by Vincent Canby for The New York Times — 18 Nov 1998

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Roger Donaldson's White Sands is set entirely in the vast painterly landscapes of the American Southwest, but it means to be a suspense thriller reflecting the scaled-down undercover realities of the post-cold-war era.

In fact, it's almost as difficult to follow as the politics of the federation that replaced the Union of Soviet Socialist Republics, and as difficult to remember as that federation's official name.

You can read the full review where it was originally posted online.

This review of White Sands (1992) was written by and published by The New York Times on 18 Nov 1998.

White Sands has generally received mixed reviews.

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