Review of What We Started (2018) by Ben Kenigsberg for The New York Times — 22 Mar 2018
What We Started appears to have been conceived with contradictory audiences in mind. On one hand, it tries to present an accessible history of electronic music, starting with its outgrowth from disco, house and techno and continuing through its commercialization and fusion with pop.
On the other hand, a subcultural cliquishness creeps into the movie.
You can read the full review where it was originally posted online.
This review of What We Started (2018) was written by Ben Kenigsberg and published by The New York Times on 22 Mar 2018.
What We Started has generally received very positive reviews.
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