What Our Fathers Did: A Nazi Legacy (2015) - Movie Reviews - Page 2 of 2

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Review of What Our Fathers Did: A Nazi Legacy (2015)

By Ken Jaworowski (128) for New York Times (5,786) on 06 Nov 2015

While these men aren’t accountable for the actions of their fathers, they are obligated to recognize the truth of what happened…

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Review of What Our Fathers Did: A Nazi Legacy (2015)

By Fionnuala Halligan (367) for Screen International (2,241) on 05 Nov 2015

A Nazi Legacy – What Our Fathers Did comes to a climax in Lviv, but the film is a layered examination of brutality, self-deception, guilt…

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Review of What Our Fathers Did: A Nazi Legacy (2015)

By Diana Clarke (52) for Village Voice (8,525) on 05 Nov 2015

Despite a melodramatic title, the film is keen and measured. Drama builds in the small moments…

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Review of What Our Fathers Did: A Nazi Legacy (2015)

By Sara Stewart (700) for New York Post (6,650) on 05 Nov 2015

In the film’s most visceral scene, as the trio stands on the site of a mass grave in Lviv, Ukraine, von Wächter still can’t bring himself…

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Review of What Our Fathers Did: A Nazi Legacy (2015)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 05 Nov 2015

What begins as a friendly trip grows increasingly tense as the men visit sites of mass murder…

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Review of What Our Fathers Did: A Nazi Legacy (2015)

By Martin Tsai (390) for Los Angeles Times (12,977) on 05 Nov 2015

Sands' scripted narration sounds detached and dissociated from the grief, frustration and anger he sporadically displays…

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Review of What Our Fathers Did: A Nazi Legacy (2015)

By Juergen D (1) on 04 Nov 2015

In a clip from What Our Fathers Did: A Nazi Legacy I noticed that Horst von Wächter states that his father had strong connections with the…

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Review of What Our Fathers Did: A Nazi Legacy (2015)

By Noel Murray (1,901) for AV Club (2,778) on 04 Nov 2015

There’s a rigidity of purpose here that keeps A Nazi Legacy from ever becoming startling or revelatory…

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Review of What Our Fathers Did: A Nazi Legacy (2015)

By Clayton Dillard (209) for Slant Magazine (8,298) on 31 Oct 2015

The conclusion suggests the film exists to affirm the preconceived desires and perceptions of its makers…

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