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Last updated: 19 Jul 2026 at 04:29 UTC

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Review of by David Edelstein for New York Magazine (Vulture) — 27 Feb 2020

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The style is immersive, meant to envelop us and bring us into the story, but it ends up making the movie feel abstract and distant. And there’s a void at the center.

You can read the full review where it was originally posted online.

This review of Wendy (2020) was written by and published by New York Magazine (Vulture) on 27 Feb 2020.

Wendy has generally received mixed reviews.

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