Review of Welcome to the Dollhouse (1996) by Alejandro T — 22 Dec 2010

Yeah thats Dark Comedy at it's finest High School is Hell Suburbs is Hell What Freaky Characters I love it.

This review of Welcome to the Dollhouse (1996) was written by Alejandro T on 22 Dec 2010.

Welcome to the Dollhouse has generally received very positive reviews.

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More Reviews of Welcome to the Dollhouse

Review of Welcome to the Dollhouse (1996)

By Logan M (1,902) on 02 Feb 2016

One of the best and most original films of the '90s…

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Review of Welcome to the Dollhouse (1996)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 30 May 2013

Everything we see in Welcome to the Dollhouse is filtered through Dawn’s heightened perspective…

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Review of Welcome to the Dollhouse (1996)

By Antonio T (238) on 06 Dec 2013

Esta película, después de Requiem Por Un Sueño, es de las más deprimentes que puedes encontrar, comentan las personas que tiene humor negro,…

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Review of Welcome to the Dollhouse (1996)

By Lovro H (367) on 23 Jan 2016

Oh dear, this was weird…

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Review of Welcome to the Dollhouse (1996)

By Sab P (50) on 12 Jul 2014

Solondz's best work. Like a slap in the face this all togehter odd, dark and emotionally painful piece will leave you stunned…

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Review of Welcome to the Dollhouse (1996)

By Jacky L (407) on 25 Nov 2012

Very funny, but kinda downright depressing too, poor dawn wiener. her family deserves to be smacked and then some, especially her irritating mom…

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Review of Welcome to the Dollhouse (1996)

By Laura Miller (37) for Salon (312) on 18 Oct 2013

Solondz's staunch commitment to depicting Dawn's humiliation sans sentimentality is honorable, and his eye for everyday human nastiness apt,…

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Review of Welcome to the Dollhouse (1996)

By David W (2,010) on 28 Nov 2012

I loved this movie, it was such a dark exploration of teen life…

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Review of Welcome to the Dollhouse (1996)

By Spangle (1,205) on 18 Jan 2017

Welcome to the Dollhouse has to be one of the most painful films to watch…

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Review of Welcome to the Dollhouse (1996)

By Barry Walters (33) for San Francisco Examiner (1,621) on 12 Aug 2017

Todd Solondz's grand prize winner at this year's Sundance Film Festival lapses into satire, but its parodistic slant only exaggerates what…

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