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Last updated: 13 Jun 2026 at 08:05 UTC

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Review of by Greg W — 25 Nov 2011

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Sort of altman-lite, tho rudolph is a bit more of a romantic. this is altman's erstwhile assistant's debut feature, which seems like the continuing adventures of keith carradine's character in 'nashville'.

he plays a writer of rather bad songs and son of a millionaire, who has a string of relationships with altman regulars sally kellerman, geraldine chaplin, sissy spacek, etc. even lauren hutton and harvey keitel are in this, harvey smoking a pipe and acting mostly uptight.

some good performances and dialogues and structure similar to 'shortcuts', this was the first of a trilogy that ended with the far superior 'choose me'. rudolph seems to use distinctive music in each of his films, and the biggest problem here was the terrible folk-rock singer, richard baskin, whose performances throughout provide a running commentary on the characters' lonely lives.

it was all I could do not to fast forward through these parts, but the film was interesting enough to finish.

This review of Welcome to L.A. (1976) was written by on 25 Nov 2011.

Welcome to L.A. has generally received mixed reviews.

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