From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, "We Don't Care About Music Anyway..." offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.
We Don't Care About Music Anyway has generally received positive reviews.
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Review of We Don't Care About Music Anyway (2011)
By Robert B (2,055) on 30 Sep 2013
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We Don't Care About Music Anyway was released in 2011 and has generally received positive reviews.
Online reviewers have written 4 reviews, giving We Don't Care About Music Anyway (2011) an average rating of 66%.
Overall, film critics marginally prefer the movie, giving it an average score of 80%, compared to cinema-goers, who gave it a slightly lower average score of 73%.
With a score of 66%, We Don't Care About Music Anyway is above the average Cinafilm score for movies made in 2011, which stands at 57%.
Other movies from 2011 with similar scores include films like The Adjustment Bureau, Shaolin and Another Earth.
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