Review of Voice from the Stone (2017) by Rex Reed for New York Observer — 03 May 2017
The best thing here is the muted cinematography, which caresses the wet leaves and cloudy purple Tuscan skies like an old Italian master oil painting that comes to life. In the desultory Voice From the Stone, it’s the only thing that does.
You can read the full review where it was originally posted online.
This review of Voice from the Stone (2017) was written by Rex Reed and published by New York Observer on 03 May 2017.
Voice from the Stone has generally received mixed reviews.
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