Review of Vito Bonafacci (2011) by Daniel M. Gold for The New York Times — 05 May 2011
Effectively a tutorial on some basic Catholic rituals, this isn't a great film - too many scenes are static or clumsily acted - but it is elevated by the touches of neorealist style in its small-bore focus and its soundtrack of classical compositions and Italian music from the 12th and 13th centuries.
You can read the full review where it was originally posted online.
This review of Vito Bonafacci (2011) was written by Daniel M. Gold and published by The New York Times on 05 May 2011.
Vito Bonafacci has generally received positive reviews.
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