Review of Viena and the Fantomes (2020) by Glenn Kenny for The New York Times — 02 Jul 2020
The Mexican-born Naranjo, best known for the showy 2011 thriller “Miss Bala,” here depicts the toxic gender relations of young louts — culminating in assault, forced drugging, and general grossness and incoherence — with a stoic grimness that wants to look like resigned wisdom.
It’s not.
You can read the full review where it was originally posted online.
This review of Viena and the Fantomes (2020) was written by Glenn Kenny and published by The New York Times on 02 Jul 2020.
Viena and the Fantomes has generally received mixed reviews.
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