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Last updated: 06 Jun 2026 at 21:39 UTC

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Review of by Alex T — 02 Apr 2017

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Vertigo's greatness comes from two virtuoso fake-outs. The first is convincing you it belongs to a genre it doesn't. The second I can't spoil here. Two fake-outs means two reveals and the first is a thunderbolt of clarity.

In a flash, the unease of the first half washes away. The second dawns slowly, with visceral unease and horror. Vertigo was a slow burner for me. I was disappointed when the end title showed up, but I realized the next day I was profoundly troubled by the film and couldn't stop thinking about it.

This review of Vertigo (1958) was written by on 02 Apr 2017.

Vertigo has generally received very positive reviews.

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