Review of Van Helsing (2004) by Anthony Lane for The New Yorker — 04 Mar 2009
Instead of paying homage to these creepy creatures of bygone Hollywood, Sommers seems to be unwittingly lampooning them. The first few minutes of Van Helsing, shot in black and white, look like outtakes from Mel Brooks' gagfest "Young Frankenstein.
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You can read the full review where it was originally posted online.
This review of Van Helsing (2004) was written by Anthony Lane and published by The New Yorker on 04 Mar 2009.
Van Helsing has generally received mixed reviews.
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