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Unsane (2018) - Critic Reviews - Page 4 of 11

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Review of Unsane (2018)

By Ben Sachs (546) for Chicago Reader (7,190) on 28 Mar 2018

The formal playfulness may occasionally undermine Unsane's narrative tension, but it keeps the movie engaging on a visual level…

Review of Unsane (2018)

By Michael Sragow (1,413) for Film Comment Magazine (842) on 28 Mar 2018

With equal splashes of wit and gore, this cool, nasty little thriller fearlessly exploits up-to-date strains of social and sexual paranoia…

Review of Unsane (2018)

By Tim Brayton (2,283) for Alternate Ending (372) on 28 Mar 2018

Hung up on a cinematography gimmick that never comes within a mile of justifying itself, and too ramshackle as a script to work in spite of…

Review of Unsane (2018)

By Sean Burns (1,156) for The ARTery (128) on 28 Mar 2018

A deliciously nasty little thriller with a ragged, low-budget edge…

Review of Unsane (2018)

By Matt Donato (975) for We Got This Covered (2,391) on 28 Mar 2018

Never does Soderbergh’s projection strike me as B-movieness or popcorn entertainment…

Review of Unsane (2018)

By Sara Michelle Fetters (1,688) for MovieFreak.com (1,674) on 27 Mar 2018

Steven Soderbergh's Unsane is a down and dirty psychological horror-thriller that's as grungy and as unhinged as it is focused and intelligent…

Review of Unsane (2018)

By Cameron Meier (130) for Orlando Weekly (1,048) on 27 Mar 2018

The best one can say about Soderbergh's failed experiment is it's probably the most attractive film ever shot with a phone…

Review of Unsane (2018)

By Margot Harrison (328) for Seven Days (657) on 27 Mar 2018

Visually, the results aren't pretty, but they're interesting. On the level of narrative and tone, the movie is a mess…

Review of Unsane (2018)

By William Bibbiani (788) for IGN (1,013) on 27 Mar 2018

Unsane is a creepy little thriller, with a concept that could terrify just about anybody, and a plot that wobbles but ultimately stays on the…

Review of Unsane (2018)

By Richard Brody (868) for New Yorker (1,403) on 27 Mar 2018

Above all, he revels, with palpable joy, in his repertory of distorted, disturbing, lurid yet lucid images, making a furious movie that signifies…

Review of Unsane (2018)

By Eric D. Snider (2,489) for EricDSnider.com (2,026) on 26 Mar 2018

Shrewd, exasperating psychological thriller... Has some heft to it but doesn't live up to its full potential…

Review of Unsane (2018)

By Jacob Knight (117) for Birth.Movies.Death. (774) on 25 Mar 2018

Steven Soderbergh's iPhone horror picture is a throwback to the angry 16mm exploitation cinema of old…

Review of Unsane (2018)

By Anthony Lane (1,079) for The New Yorker (1,837) on 25 Mar 2018

The performance that lingers, once the tale is told, is that of Jay Pharoah as Nate, a fellow-patient on Sawyer’s ward, who has furtively…

Review of Unsane (2018)

By Matthew Bond (673) for The Mail on Sunday (UK) (704) on 25 Mar 2018

A dark, constantly shifting production that even Hitchcock would enjoy…

Review of Unsane (2018)

By Tom Shone (158) for Sunday Times (UK) (753) on 25 Mar 2018

It gets under your skin, thanks to its spidery cinematography and Foy's performance, with its alternating gusts of fury and fragility, its…

Review of Unsane (2018)

By John Urbancich (394) for Your Movies (cleveland.com) (472) on 25 Mar 2018

Foy, herself, does remain in control of a role that quickly - and believably - gets her committed to a mental unit, yet somehow easily rides…

Review of Unsane (2018)

By Ed Whitfield (493) for The Ooh Tray (482) on 25 Mar 2018

Soderbergh was so enamoured by the core set up that he didn't really give a **** whether it made sense or not…

Review of Unsane (2018)

By Wendy Ide (1,500) for Observer (UK) (2,398) on 25 Mar 2018

Just because some of the characters struggle with basic logic, it doesn't mean the film should…

Review of Unsane (2018)

By Katherine Monk (493) for Ex-Press.com (333) on 24 Mar 2018

…

Review of Unsane (2018)

By Staci Layne Wilson (667) for AtHomeInHollywood.com (165) on 24 Mar 2018

Unsane is not quite unsettling enough to get under the skin nor is it pulpy enough to elicit so-bad-it's-good glee, but it's a fast-paced and…

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