Unsane (2018) - Critic Reviews - Page 10 of 11

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Review of Unsane (2018)

By Harvey S. Karten (2,210) for Big Apple Reviews (55) on 19 Mar 2018

This journey into a snake pit, all photographed with an iPhone, teaches a good lesson…

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Review of Unsane (2018)

By Matt Maytum (105) for Total Film (3,532) on 19 Mar 2018

A short, sharp shock of a thriller that demonstrates the versatility and range of both Soderbergh and Foy…

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Review of Unsane (2018)

By Ian Mantgani (20) for The Skinny (809) on 13 Mar 2018

Unsane is sometimes plodding for a movie that has so much going on, but it also has plenty of shocks and as a whole is deeply engrossing…

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Review of Unsane (2018)

By Dan Jolin (289) for Empire (3,446) on 05 Mar 2018

A raw, lean and abrasively effective thriller from Steven Soderbergh, which features Claire Foy as we’ve never seen her before…

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Review of Unsane (2018)

By Katherine Mclaughlin (276) for SciFiNow (378) on 26 Feb 2018

Unsane traverses the corridors of corrupt policies and paperwork that threaten to cut up and disembowel democracy…

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Review of Unsane (2018)

By Gus Edgar (19) for Film Inquiry (1,269) on 26 Feb 2018

Unsane is ridiculously entertaining stuff, chock-full of schlock and fully committed to the atmosphere readily splattered into life by its…

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Review of Unsane (2018)

By Adam Cook (18) for MUBI (191) on 26 Feb 2018

Unsane is funny and wholly disconcerting, not alternately but in tandem, a tension of clashing moods that exaggerate the paranoia and surreality…

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Review of Unsane (2018)

By Tim Robey (1,578) for The Telegraph (1,120) on 24 Feb 2018

It’s rough, to say the least, and that’s not just a matter of hasty visuals: the whole thing feels provisional and half-hearted, like a…

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Review of Unsane (2018)

By Amber Wilkinson (674) for Eye for Film (1,537) on 23 Feb 2018

That the biggest surprise of the film is not a plot point at all but the appearance of someone famous in a cameo role, speaks volumes…

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Review of Unsane (2018)

By Rory O'connor (154) for The Film Stage (3,162) on 23 Feb 2018

What first appeared to be a fun riff on One Flew Over the Cuckoo’s Nest soon transforms into something much darker…

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Review of Unsane (2018)

By Patrick Gamble (128) for CineVue (2,163) on 23 Feb 2018

An adroit, and trashy thriller leached of all its significance by a plot that spirals uncontrollably into lunacy, Unsane takes the feverish…

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Review of Unsane (2018)

By Kevin Maher (647) for Times (UK) (2,458) on 22 Feb 2018

Made on a budget of only $1.2 million, it is technologically startling, classically composed, with rich still frames, wide shots and close-ups,…

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Review of Unsane (2018)

By Kaleem Aftab (340) for Independent (UK) (2,026) on 22 Feb 2018

…

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Review of Unsane (2018)

By Stefan Pape (613) for HeyUGuys (1,461) on 22 Feb 2018

It's been shot on an iPhone, and it looks like it's been shot on an iPhone - and that, sadly, isn't a compliment…

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Review of Unsane (2018)

By Nick James (16) for Sight and Sound (827) on 21 Feb 2018

An adroit, if occasionally glib study of American paranoia and of some reasonable justifications for feeling paranoid…

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Review of Unsane (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 21 Feb 2018

In short, it could never be anything but a Soderbergh film, and a particularly delicious one at that…

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Review of Unsane (2018)

By Guy Lodge (731) for Variety (12,700) on 21 Feb 2018

We’re in schlock corridor here and Soderbergh runs with it, cellphone in hand; under the buzzing suspense mechanics, however, a cautionary…

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Review of Unsane (2018)

By Steve Macfarlane (121) for Slant Magazine (8,298) on 21 Feb 2018

Even Unsane's most ridiculous moments coast on the sheer energy of Steven Soderbergh's aesthetic gamesmanship…

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Review of Unsane (2018)

By Ben Croll (93) for Indiewire (3,631) on 21 Feb 2018

Unsane brims with curiosity about digital technology, discomfort with corporate bureaucracies, and is spiked through and through with icy wit…

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Review of Unsane (2018)

By Jessica Kiang (522) for The Playlist (3,871) on 21 Feb 2018

Topicality is not mandatory, and it’s clear the agenda here is for salacious genre thrills rather than anything deeper or more profound,…

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