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Last updated: 06 Jun 2026 at 18:08 UTC

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Review of by Anthony Lane for New Yorker — 09 Oct 2016

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Precisely thirty-six times more interesting than “The Girl on the Train.” Where the conceit of that movie feels timid, cooked up, and culturally thin, Anvari’s is nourished by a near-traumatic sense of history, and, in terms of feminist pluck, Rashidi’s presence, in the leading role, is both gutsier and more plausible than the combined efforts of all the main performers in Taylor’s film.

You can read the full review where it was originally posted online.

This review of Under the Shadow (2016) was written by and published by New Yorker on 09 Oct 2016.

Under the Shadow has generally received positive reviews.

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