Review of Una (2017) by Graham Fuller for Screen International — 06 Sep 2016
Mendelsohn makes Ray plausibly remorseful, yet the suspicion remains that he’s as creepily self-serving as Humbert Humbert in Nabokov’s Lolita. Mara, meanwhile, is like a seared, broken Alice groping for a way out of a psychic labyrinth - hers is a fearsome performance.
You can read the full review where it was originally posted online.
This review of Una (2017) was written by Graham Fuller and published by Screen International on 06 Sep 2016.
Una has generally received mixed reviews.
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