Review of Una (2017) by Glenn Kenny for The New York Times — 04 Oct 2017
The scenes that leave Ms. Mara and Mr. Mendelsohn alone are, tellingly, the most interesting and effective ones. Their performances are tightly focused and unflinching; too bad they are surrounded by a lot of heavy-handed, poorly aimed cinematic showing off.
You can read the full review where it was originally posted online.
This review of Una (2017) was written by Glenn Kenny and published by The New York Times on 04 Oct 2017.
Una has generally received mixed reviews.
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