Review of Umberto D. (1952) by Avantika S — 08 Jun 2007

Incredibly moving. Stupendous performances. De Sica can make you weep, without going overboard.

This review of Umberto D. (1952) was written by Avantika S on 08 Jun 2007.

Umberto D. has generally received very positive reviews.

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More Reviews of Umberto D.

Review of Umberto D. (1952)

By Justin T (783) on 27 Jan 2014

Vittorio de Seca was a master of the neorealist style and Umberto D. is one of his many, some argue the greatest, masterpieces…

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Review of Umberto D. (1952)

By Jessyca F (77) on 23 Mar 2012

HÃ¡ aqui um lindo filme, e essa sensaÃ§Ã£o pode aumentar Ã medida que me afeiÃ§oar a De Sica, mas a primeira hora nÃ£o me conquistou…

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Review of Umberto D. (1952)

By Scott R (2,451) on 01 Jul 2017

There's a lot of human spirit in this movie. Pretty sad at times it shows how a dog can really be a man's best friend…

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Review of Umberto D. (1952)

By Fabiola H (8) on 27 Aug 2011

Sad thing is that this does happen. the awkward silence between friends and everyone turning a blind eye…

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Review of Umberto D. (1952)

By Walter Goodman (85) for New York Times (5,786) on 09 Jan 2018

Vittorio De Sica's memorable ''Umberto D'' seems more sentimental now, but as you stay with it, the small story grows to a most moving climax…

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Review of Umberto D. (1952)

By Cita W (407) on 08 Jun 2012

I was totally not expecting to feel sad after I watched this movie, it's even better than The Bicycle Thief and the dog... that goddamn dog…

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Review of Umberto D. (1952)

By Matt M (2,511) on 07 Jan 2014

Umberto D represents the most human and touching side of the revolutionising cinematic movement known as Italian neo realism…

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Review of Umberto D. (1952)

By Eric H (2,898) on 02 Jul 2016

Vittorio DeSica's wonderful Umberto D was one of the last films of the Italian neo-realism movement and by far its best one…

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Review of Umberto D. (1952)

By Connor A (86) on 14 May 2016

This is the hardest I've ever cried during a movie…

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Review of Umberto D. (1952)

By Train M (162) on 11 Jan 2012

De Sica's brilliant post war Italy film really hits the buttons and you really feel for the lead character. One of the best Neo-Realist flicks…

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