Review of Umberto D. (1952) by Randy L — 30 Apr 2009

Vittorio De Sica's neorealist presentation worked brilliantly in The Bicycle Thief both as an emotional tool and a narrative device. Umberto D. felt somewhat less genuine to me, and significantly less focused.

I respect the director's vision, precision and execution, but it lacked the kind of emotional resonance I was hoping for. It's well-shot, well-paced, and orchestrated by a sure hand, but I was left feeling slightly unfulfilled by this piece.