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Tyrel (2018) - Movie Reviews - Page 2 of 3

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Review of Tyrel (2018)

By Josh Long (3) for Battleship Pretension (71) on 03 Dec 2018

Tyrel is mumblecore and issues-driven, both at their worst - it lacks the emotional depth of good mumblecore, and the poignancy of a good issues film…

Review of Tyrel (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 03 Dec 2018

Sebastián Silva never indulges platitude, and so the qualified hope of the film’s ending isn’t merely affirming but also miraculous…

Review of Tyrel (2018)

By Courtney Howard (393) for Fresh Fiction (404) on 02 Dec 2018

Silva attempts to stoke social commentary within a raucous portrait of male camaraderie, however, he's uninterested in delivering any sort…

Review of Tyrel (2018)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 Dec 2018

Chilean-born writer-director Sebastián Silva (“Nasty Baby”) gives us an intimate mumblecore (lots and lots of talking) allegory about…

Review of Tyrel (2018)

By Gary M. Kramer (92) for Gay City News (145) on 30 Nov 2018

[A] compelling comedy-drama that, like all of the filmmaker's work, will get under a viewer's skin…

Review of Tyrel (2018)

By Jennie Kermode (588) for Eye for Film (1,537) on 15 Nov 2018

Tyrel is important in that it doesn't present the audience with obvious racist caricatures…

Review of Tyrel (2018)

By Ben Pearson (42) for Slashfilm (971) on 05 Nov 2018

It feels incomplete without a satisfying conclusion, like it isn't doing total justice to its protagonist…

Review of Tyrel (2018)

By Aisha Harris (36) for Slate (2,081) on 05 Nov 2018

[Mitchell] lets you feel every humiliation and subsequent redemption while he's trapped in this dynamic…

Review of Tyrel (2018)

By Anthony Kaufman (83) for Screen International (2,241) on 26 Sep 2018

Silva is a shrewd storyteller, uninterested in genre conventions or shock value; rather, he’s using that tension to tease out the anxieties…

Review of Tyrel (2018)

By Jordan Raup (239) for The Film Stage (3,162) on 26 Sep 2018

Not giving into audience expectations and thus creating something more terrifying in its relatability, Sebastián Silva’s TYREL follows a…

Review of Tyrel (2018)

By Dennis Harvey (1,137) for Variety (12,700) on 26 Sep 2018

Sharply observed but lacking in the probing psychological insights of Silva’s best movies, Tyrel is a chamber piece whose rhythms feel entirely…

Review of Tyrel (2018)

By Jason Bailey (832) for The Playlist (3,871) on 26 Sep 2018

Tyrel boasts some fine performances and some compelling ideas, but ultimately, it plays like a version of Jordan Peele‘s “Get Out” where…

Review of Tyrel (2018)

By Ivana Brehas (1) for 4:3 (202) on 13 Sep 2018

Tyrel's refusal to leave the bounds of realism lends it a unique intrigue and unpredictability…

Review of Tyrel (2018)

By Alex Lines (84) for Film Inquiry (1,269) on 09 Aug 2018

The camera isn't afraid to get close and intimate with these guys, but it's nothing that you haven't seen before from any micro-budgeted college…

Review of Tyrel (2018)

By Sarah Ward (538) for Concrete Playground (635) on 24 Jun 2018

All-too-relatable in its exploration of being an outsider at a party, and all-too-believable in its dissection of today's climate of toxic…

Review of Tyrel (2018)

By David Fear (910) for Rolling Stone (4,035) on 20 Feb 2018

Tyrel appears to be an ensemble project, but this is Jason Mitchell’s showcase…

Review of Tyrel (2018)

By John Defore (1,351) for Hollywood Reporter (2,966) on 30 Jan 2018

Sebastian Silva's latest is no retread of Jordan Peele's more-than-a-thriller breakthrough…

Review of Tyrel (2018)

By Joshua Rothkopf (1,058) for Time Out (7,510) on 24 Jan 2018

The subtle pleasure of watching Tyrel comes from raising an eyebrow at every inferred (implied?) slight…

Review of Tyrel (2018)

By Natalia Winkelman (145) for Film Threat (5,156) on 24 Jan 2018

A finely gradated study of race and masculinity in the age of Trump, Tyrel is also an engrossing portrait of the revealing power of language…

Review of Tyrel (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 23 Jan 2018

A film with a very off-the-cuff energy designed to make people uneasy but that doesn't amount to nearly enough in the end…

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