Review of Traffic (2000) by Peter Rainer for New York Magazine (Vulture) — 16 Sep 2017
As with much of Soderbergh's avant-garde work, his garde isn't quite as avant as he would have us believe it is. Still, Soderbergh's jazzed stylistics can be smartly entertaining. Without them, an uneven movie like Traffic might seem more of a mélange than it already is.
You can read the full review where it was originally posted online.
This review of Traffic (2000) was written by Peter Rainer and published by New York Magazine (Vulture) on 16 Sep 2017.
Traffic has generally received very positive reviews.
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