Toni Erdmann (2016) - Movie Reviews - Page 3 of 19

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Review of Toni Erdmann (2016)

By Emile H (131) on 04 Oct 2017

Life is funny. Sure, you don't really get a lot of laughs but the movie seems to get more and more delightful…

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Review of Toni Erdmann (2016)

By Pamela Jahn (33) for Electric Sheep (203) on 25 Sep 2017

Toni Erdmann is that rare thing: a film that makes you laugh and cry, wince and twist in your seat all at once…

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Review of Toni Erdmann (2016)

By Wayne K (446) on 24 Sep 2017

One of the most crushingly dull and unjustifiably overextended films I've watched this year, Toni Erdmann was bafflingly showered with praise…

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Review of Toni Erdmann (2016)

By Bob H (168) on 23 Sep 2017

Portraying this film as a comedy was a mistake…

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Review of Toni Erdmann (2016)

By Kenneth B (910) on 23 Sep 2017

This film is really long. Not very much happens...but that makes it a great character study...I guess...right…

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Review of Toni Erdmann (2016)

By Inna B (10) on 23 Sep 2017

Ridiculously long without any substantial reason…

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Review of Toni Erdmann (2016)

By Richard M (1,299) on 23 Sep 2017

No story, no humor, no point. Awful in every way. Looks like we got peak German cinema about 20 years ago…

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Review of Toni Erdmann (2016)

By Jeffrey S (309) on 19 Sep 2017

Very long, but brilliant. The time flies as you watch the relationship between Ines and Toni Erdmann, Winfried, her eccentric father…

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Review of Toni Erdmann (2016)

By Keeva Stratton (79) for Rescu (Australia) (79) on 14 Sep 2017

Quirky and offbeat, like its central character, if you like your films a little idiosyncratic, give this one a go…

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Review of Toni Erdmann (2016)

By Tt Stern-Enzi (212) for Cincinnati CityBeat (160) on 11 Sep 2017

Ade, Simonischek and Hüller have crafted a loving ode to familial relationships that achieves universality in its own right…

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Review of Toni Erdmann (2016)

By M. Faust (314) for The Public (Buffalo) (288) on 10 Sep 2017

I hope you like it; if you get a chance, drop me a line and tell me what I missed…

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Review of Toni Erdmann (2016)

By Michelle Orange (458) for Virginia Quarterly Review (8) on 10 Sep 2017

Writer-director Maren Ade (Everyone Else) complicates her career woman, allowing her both cold-eyed pragmatism and very real potential for…

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Review of Toni Erdmann (2016)

By Lisa Jensen (117) for Good Times Santa Cruz (117) on 10 Sep 2017

There's a lot more going on beneath the surface in this offbeat meditation on family, aging, the passage of time, and the meaning of happiness…

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Review of Toni Erdmann (2016)

By Diane Carson (151) for KDHX (St. Louis) (284) on 27 Aug 2017

Toni Erdmann is a film that surprises with its offbeat approach and its refusal to conform in its subject matter, its length, or its style…

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Review of Toni Erdmann (2016)

By Robert Denerstein (1,148) for Denerstein Unleashed (254) on 22 Aug 2017

By the end, it has become clear that director [Maren] Ade has more in mind than wringing cheap laughs out of a pair of false teeth…

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Review of Toni Erdmann (2016)

By Kathy Fennessy (88) for The Stranger (Seattle, WA) (891) on 17 Aug 2017

Toni Erdmann, the Oscar-nominated film from German filmmaker Maren Ade, is a farce, a tearjerker, and a bonkers take on globalization and its…

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Review of Toni Erdmann (2016)

By Dorothy Woodend (313) for The Tyee (British Columbia) (313) on 14 Aug 2017

Toni Erdmann calls to mind the idea of Saturnalia, a festival devoted to the necessity of upending societal structures…

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Review of Toni Erdmann (2016)

By Bobitto17 (2) on 07 Aug 2017

I guess you have to be old and have children in their 30s to really enjoy this movie. My dad (55) loved this movie…

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Review of Toni Erdmann (2016)

By Claudia Puig (2,080) for The Asahi Shimbun GLOBE (Japan) (18) on 30 Jul 2017

An offbeat and sometimes off-putting German farce/drama hybrid that features a father-daughter pair that are two of the most fully realized…

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Review of Toni Erdmann (2016)

By Evangelos C (60) on 23 Jul 2017

Wonderfully directed and written, with two fabulous central performances with such a poetically poignant flair, Ade's film sets itself up for…

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