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Last updated: 22 Jul 2026 at 17:16 UTC

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Review of by Glenn Kenny for The New York Times — 04 Jun 2020

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Tommaso has a different feel than your average variant on Fellini’s “8 ½.” Maybe it’s a sense of shame, something the older film’s Guido hadn’t much of. Whatever it is, it makes Tommaso crackle with ideas and empathy, as Ferrara’s best work always does.

You can read the full review where it was originally posted online.

This review of Tommaso (2020) was written by and published by The New York Times on 04 Jun 2020.

Tommaso has generally received mixed reviews.

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