Review of To Be or Not to Be (1983) by Pauline Kael for The New Yorker — 20 Nov 1984
I can't remember another film that took so little care with the details of ambience: the cruddy sets and flat, underworked sound track drain any sense of life from the project, to the point where it looks like the cheapest kind of TV—canned theater.
You can read the full review where it was originally posted online.
This review of To Be or Not to Be (1983) was written by Pauline Kael and published by The New Yorker on 20 Nov 1984.
To Be or Not to Be has generally received positive reviews.
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