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Last updated: 23 Jun 2026 at 23:09 UTC

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Review of by John Anderson for Wall Street Journal — 26 Mar 2021

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The otherworldliness of “Tina,” which exists for many minutes in a kind of vacuum created between the various silent images and the distanced voiceover, is transporting; the ambient score by Danny Bensi and Saunder Jurriaans helps transform what might have been a series of mere tawdry recollections into a kind of prison memoir.

You can read the full review where it was originally posted online.

This review of TINA (2021) was written by and published by Wall Street Journal on 26 Mar 2021.

TINA has generally received very positive reviews.

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