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Last updated: 04 Jun 2026 at 05:05 UTC

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Timecode (2000) - Critic Reviews - Page 2 of 3

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Review of Timecode (2000)

By Ann Hornaday (1,919) for Baltimore Sun (1,823) on 16 Apr 2004

Once you get the hang of Figgis' own brand of coercion -- one based on an intricate sound design and musical score -- you find yourself happily…

Review of Timecode (2000)

By Bob Graham (157) for San Francisco Chronicle (7,630) on 20 Jan 2004

Story pitches are made. Coke is snorted. There is lesbian sex. Fellatio. An earthquake. A murder. Just another day in Hollywood…

Review of Timecode (2000)

By Michael W. Phillips, Jr. (528) for Goatdog's Movies (527) on 28 Feb 2002

The film's raison d'etre is its technique…

Review of Timecode (2000)

By Chuck Rudolph (215) for Matinee Magazine (292) on 21 Feb 2002

What fails it is the generic, banal storyline…

Review of Timecode (2000)

By Stephen Hunter (927) for Washington Post (9,851) on 25 May 2001

But for all the meta-movie excitement, the content danced somewhere between mildly interesting and moderately enjoyable…

Review of Timecode (2000)

By Dennis Harvey (1,137) for Variety (12,700) on 14 Apr 2001

If the satire feels familiar, and the dramatics often contrived, there's rarely a moment here when something funny, intense or cleverly interconnected…

Review of Timecode (2000)

By William Arnold (1,101) for Seattle Post-Intelligencer (2,422) on 09 Nov 2000

It induces a serious case of sensory overload that left me drained and edgy…

Review of Timecode (2000)

By A.o. Scott (2,100) for New York Times (5,786) on 01 Jan 2000

Most movies offer carefully calibrated insults to the intelligence. This one just might make you smarter…

Review of Timecode (2000)

By James Berardinelli (4,524) for ReelViews (4,523) on 01 Jan 2000

A triumph of style and technological innovation, but a failure in terms of storytelling…

Review of Timecode (2000)

By Gemma Files (80) for Film.com (1,892) on 01 Jan 2000

A fascinating combination of dare, stunt and genuine artistic risk -- often disorganized, but never less than entertaining…

Review of Timecode (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jan 2000

Stands as a rare feat of technology made human…

Review of Timecode (2000)

By Dennis Schwartz (5,456) for Ozus' World Movie Reviews (5,456) on 01 Jan 2000

This gimmicky experimental film from Mike Figgis (Leaving Las Vegas) isn't worth the film it's on…

Review of Timecode (2000)

By Mark Caro (265) for Chicago Tribune (6,211) on 01 Jan 2000

Figgis has devised a genuinely novel way to shoot and experience a feature-length film…

Review of Timecode (2000)

By Jonathan Foreman (365) for New York Post (6,650) on 01 Jan 2000

In fact, for long stretches, especially during the first hour, it's as soporific as watching a bank of security cameras…

Review of Timecode (2000)

By Chris Grunden (20) for Film Journal International (5,095) on 01 Jan 2000

What Time Code perhaps proves most of all is that the digital filmmaking revolution means absolutely nothing without an old-fashioned, compelling…

Review of Timecode (2000)

By Rob Blackwelder (857) for SPLICEDWire (872) on 01 Jan 2000

While the individual stories are only mildly interesting ... Figgis' ability to mix them like a nightclub DJ…

Review of Timecode (2000)

By Rod Armstrong (87) for Reel.com (1,232) on 01 Jan 2000

While Timecode is not quite as bold or novel as it thinks it is, it's refreshing to see at least one filmmaker endeavoring to innovate cinema…

Review of Timecode (2000)

By Bob Thomas (136) for Associated Press (1,685) on 01 Jan 2000

Time Code seems to be one of those instant cult movies. Non-cult-members are likely to end up with confusion and possible eye strain…

Review of Timecode (2000)

By Serena Donadoni (158) for Metro Times (Detroit, MI) (691) on 01 Jan 2000

There's not one single cut in Time Code, which gives it the meandering feel of real life. This is both the film's strength and its weakness…

Review of Timecode (2000)

By Andy Klein (675) for New Times (467) on 01 Jan 2000

We become so absorbed in the ramifications of the techniques involved that a more challenging plot might have resulted in sensory overload…

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