Review of Three Billboards Outside Ebbing, Missouri (2017) by Anthony Lane for New Yorker — 06 Nov 2017
Not since "Fargo" (1996) has [McDormand] found a character of such fibre. She doesn't pitch it to us, still less try to make it palatable; she seems to state Mildred, presenting her as a given fact, like someone unrolling a map.
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This review of Three Billboards Outside Ebbing, Missouri (2017) was written by Anthony Lane and published by New Yorker on 06 Nov 2017.
Three Billboards Outside Ebbing, Missouri has generally received very positive reviews.
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