Review of Thelma (2017) by Anthony Lane for The New Yorker — 13 Nov 2017
Above all, the movie relies and thrives on Harboe, who is scrutinized, in closeup, with a vigilance that even Bergman might applaud, and who has the blessed knack of seeming like a perfectly capable adult in one sequence and then, in the next, like a vulnerable child.
You can read the full review where it was originally posted online.
This review of Thelma (2017) was written by Anthony Lane and published by The New Yorker on 13 Nov 2017.
Thelma has generally received positive reviews.
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