Review of The Wound (2017) by Glenn Kenny for The New York Times — 14 Aug 2017
Mr. Trengove shoots the film in intimate wide-screen, getting in close to the performers as their characters tamp down explosive feelings, often letting the spectacular landscapes behind them break down into soft-focus abstractions.
His direction is perfectly judged up to and including the shudder-inducing ending.
You can read the full review where it was originally posted online.
This review of The Wound (2017) was written by Glenn Kenny and published by The New York Times on 14 Aug 2017.
The Wound has generally received positive reviews.
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