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Last updated: 05 Jun 2026 at 15:36 UTC

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Review of by John Leonard for New York Magazine/Vulture — 22 Jan 2018

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Macy, who never says a word, is terrific, and the remake is better than the 1962 original, Gigot, in which an oversize Jackie Gleason tried to be Charlie Chaplin by starring in a story, set in Paris, that he had written for himself.

You can read the full review where it was originally posted online.

This review of The Wool Cap (2004) was written by and published by New York Magazine/Vulture on 22 Jan 2018.

The Wool Cap has generally received very positive reviews.

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