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Last updated: 21 Jun 2026 at 17:26 UTC

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Review of by Rick Groen for The Globe and Mail (Toronto) — 27 Mar 2014

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Smarting like hell, the artist and his art are at it again. Consequently, like most of Michael Haneke's films, The White Ribbon is profoundly disturbing, impeccably shot, superbly cast, allegorically ambitious and, yet, slightly disappointing – just enough to make you wonder if that salt-in-the-wounds theory is as dogmatic as the dogma he likes to condemn.

You can read the full review where it was originally posted online.

This review of The White Ribbon (2009) was written by and published by The Globe and Mail (Toronto) on 27 Mar 2014.

The White Ribbon has generally received very positive reviews.

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